Author: Andreas Richter

Exploring New Horizons – Call open for iPRES 2019

iPRES is the premier international conference on the preservation and long term management of digital materials. The 16th International Conference on Digital Preservation will be held on September 16-20, 2019 in Amsterdam, The Netherlands. The conference will bring together scientists, students, researchers, archivists, librarians, providers, and other experts to share recent developments and innovative projects in a wide variety of topics in digital preservation from strategy to implementation, and from international and local initiatives. Year on year the debate and research profiled at iPRES have moved digital preservation from a technology driven niche specialism of experts to a global challenge with the community to match. The iPRES 2019 Programme Committee seeks contributions that tell stories about building bridges between organizations in different domains and bridging knowledge gaps. These contributions enable individuals from all backgrounds and agencies of all sizes to participate in the global preservation conversation. Contributions serve the community and help implement solutions and overcome barriers to the effective curation of digital assets, works and collections. iPRES aims to be an inclusive global forum and seeks proposals from all sectors, specialisms, geographies and communities. Proposals for long and short papers, panels, posters, demonstrations, workshops, tutorials and hackathon sessions are due by 18 March. All submissions and presentations should be in English. Important dates see here. For questions with regards to the conference program, please contact: programmecommittee@ipres2019.org CONTACT For questions regarding program and content of...

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Symposium: Modernising Cultural and Creative Industries within the EU: Discussing the New European Agenda for Culture

Cultural and Creative sectors occupy a significant place in today’s European economy, by contributing to innovation, investment, digital modernisation and cultural tourism. The Cultural and Creative Industries (CCIs) generate indeed around €509 billion per year, representing 5.3% of the EU’s total GDP and employ 12 million full-time jobs, which constitutes 7.5% of the EU’s employment and the third largest employer sector in the EU (European Commission, 2018). More than the economic value added to the EU’s GDP, cultural and creative sectors promote the European culture within and beyond the EU’s borders. In a political context characterised by the questioning of the European project, cultural and creative sectors have the potential to strengthen the European identities, cultural diversity and values; favour the critical thinking and build bridge between art, culture, business and technology in order to bring the European citizens closer. In the last years, the EU has developed various projects in the framework of the 2015-18 Work Plan for Culture and the 2020 Horizon programmes to finance and support Cultural and Creative Industries. However, market fragmentation, insufficient access to finance and uncertainties in salaries conditions continue to undermine the cultural participation and development. In response to the Council’s invitation to do more in the cultural sector, in May 2018 the European Commission adopted a proposal for a New European Agenda for Culture. The New Agenda aims to harness the...

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Digital Imaginaries – Africas in Production

Image credit: obs/ZKM Karlsruhe/The Nest Arts Company Africa is changing – radically – and digitization is playing a pivotal role. On this continent that has the world’s youngest population, digital practices are emerging that transform Africa’s societies and their global perception. The exhibition and research project »Digital Imaginaries«, which was developed by the Center of Art and Media Karlsruhe (ZKM Karlsruhe, Germany) in collaboration with partners in Dakar (Senegal) and Johannesburg (South Africa), takes this contradictory diversity of digital phenomena in Africa as its point of departure. Like the exhibitions, workshops, and events that took place in Senegal and...

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AugTraveler – Dheli-based Startup built AR App to experience India’s Monuments and Heritage Sites

View of Humayun’s tomb from Char Bagh (Four Gardens), Image Credit: Udit Kapoor Delhi-based Augtraveler built an AR app and platform that uses technology and multimedia content to help consumers learn about and interact with sites and monuments. It narrates the history of a particular heritage site, its background and importance, allowing users to really understand its significance. Pankaj Manchanda, founder of Augtraveler, wants to inspire visitors to appreciate the history and work associated with a monument. The app allows users to explore the different nuances of artefacts, the architecture and parts of the monument with interactive elements. The company’s biggest...

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Digitisation project calls for revision of a narrative about the Middle Ages

Thanks to the patronage of The Polonsky Foundation, the Bibliothèque nationale de France and the British Library have engaged in a partnership which aimed to digitise, scientifically catalogue and showcase an outstanding collection of 800 medieval manuscripts produced between the 8th and 12th centuries. Illuminated manuscripts from France and England of that time period demonstrate that medieval borders were regularly crossed. The medieval period in Europe is typically thought to mean that the existing cultures were stagnant and isolated from the rest of the world. But a new digitization project that brings together 800 medieval manuscripts offers a different image of the early middle ages: one of connection and exchange, where borders and geography were frequently crossed and redefined. This new digitization is huge leap forward for medievalists and scholars. These materials and tools have opened the manuscript archive in an unprecedented way. They have the potential to usher in a range of new scholarship. But for the general public, this collection serves an even more dramatic purpose: the revision of a narrative of an isolated past. Kathleen Doyle, Lead Curator of Illuminated Manuscripts at the British Library says: ‘By providing online access to the digitised versions of 800 of some of the finest of these manuscripts we hope to transform awareness of this period of close political and cultural entwinement between our two countries, when scribes moved between England, France and Normandy,...

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