Very interesting and impressive.
Digital creation as a new trend in modern creative arts.
republishing from CNN.COM
Then there is the altogether different proposition put forth by experimental Japanese art collective, teamLab. Comprised of self-described “ultra-technologists” — which includes designers, computer scientists, engineers and programmers — the group, in collaboration with Tokyo-based urban developer Mori Building, plans to open a 107,000 square-foot museum (10,000 square meters) in Tokyo covered entirely with digital works.
With the museum not expected to open until the summer, exact details of the installations have yet to be revealed. But interactive, digital art by the collective, is expected to fill and move across the walls and floors. According to teamLab’s communications director, Takashi Kudo, it will make for an immersive experience.
“Every day will be a different experience,” he said in a phone interview. “There are different monitors and projectors (and) people can become part of the work. It’s borderless and transcends boundaries.
“When you create something, there are already boundaries. If you make it on canvas, there are boundaries; if you make a sculpture, you can’t change it. But for digital (art), you can always change, because the digital world doesn’t really exist. We want to really bring people inside our artworks.”
Rooted in nature
Immersive digital experiences are relatively new to the established art world, but teamLab has been exploring the field for more than 15 years.
The forthcoming museum will expand upon ideas and technologies used from the collective’s previous work, which includes interactive installations shown in galleries as far afield as London, Sydney and Istanbul.
1/10 – “Wander through the Crystal Universe” by teamLab, 2016
Most recent among teamLab’s portfolio is “Walk, Walk, Walk: Search, Deviate, Reunite,” which opened at the National Gallery Singapore earlier this month. Inside the installation, visitors are invited to stroll among cherry blossoms and bamboo forests, passing digital pedestrians who change direction and respond to real-life movements.
The multidisciplinary collective has also chosen to operate outside of standard museum spaces, projecting its work outdoors. In “A Forest Where Gods Live,” teamLab took over an Edo-period pleasure garden, using lights, projections, sensors and sound as tools (and rocks, trees and plants as canvases). The exhibition included a giant, simulated waterfall, and thousands of azalea bushes that lit up to greet visitors.
Such installations reflect the collective’s mission to explore the relationship between humanity and nature. From landscape paintings to ikebana (flower arranging), Japanese art has long looked to its surroundings for inspiration. The group’s new, permanent space, to be located in Tokyo’s Odaiba district, will continue to explore these concepts, through new works.
“We try to find the relationship of the human and the world,” Kudo said, explaining that the distinction between the two is blurry. “In Japan, nature, and humans (are together as) one part of nature.”